Portal:Speculative fiction

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Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.

It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.

Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.

In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre.

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Selected profile

Bloch in 1976

Robert Albert Bloch (/blɒk/; April 5, 1917 – September 23, 1994) was an American fiction writer, primarily of crime, psychological horror and fantasy, much of which has been dramatized for radio, cinema and television. He also wrote a relatively small amount of science fiction. His writing career lasted 60 years, including more than 30 years in television and film. He began his professional writing career immediately after graduation from high school, aged 17. Best known as the writer of Psycho (1959), the basis for the film of the same name by Alfred Hitchcock, Bloch wrote hundreds of short stories and over 30 novels. He was a protégé of H. P. Lovecraft, who was the first to seriously encourage his talent. However, while he started emulating Lovecraft and his brand of cosmic horror, he later specialized in crime and horror stories working with a more psychological approach.

Bloch was a contributor to pulp magazines such as Weird Tales in his early career, and was also a prolific screenwriter and a major contributor to science fiction fanzines and fandom in general. (Full article...)

Selected work

First edition cover (1843)

A Christmas Carol. In Prose. Being a Ghost Story of Christmas, commonly known as A Christmas Carol, is a novella by Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. It recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come. In the process, Scrooge is transformed into a kinder, gentler man.

Dickens wrote A Christmas Carol during a period when the British were exploring and re-evaluating past Christmas traditions, including carols, and newer customs such as cards and Christmas trees. He was influenced by the experiences of his own youth and by the Christmas stories of other authors, including Washington Irving and Douglas Jerrold. Dickens had written three Christmas stories prior to the novella, and was inspired following a visit to the Field Lane Ragged School, one of several establishments for London's street children. The treatment of the poor and the ability of a selfish man to redeem himself by transforming into a more sympathetic character are the key themes of the story. There is discussion among academics as to whether this is a fully secular story, or if it is a Christian allegory. (Full article...)

Selected quote


—William Wilson, A Little Earnest Book upon a Great Old Subject, chapter 10 (1851). This is the first recorded use of the term science fiction in history.[1]
  1. ^ Westfahl, Gary. Science Fiction Quotations. Yale University Press. 2005.
More quotes from Wikiquote: science fiction, fantasy, alternate history

Selected picture

Caterpillar from Alice's Adventures in Wonderland
Caterpillar from Alice's Adventures in Wonderland
Credit: Artist: Sir John Tenniel

Sir John Tenniel's illustration of the Caterpillar for Lewis Carroll's classic children's book, Alice's Adventures in Wonderland. The illustration is noted for its ambiguous central figure, which can be viewed as having either a human male's face with pointed nose and protruding lower lip or as the head end of an actual caterpillar, with the right three "true" legs visible. The small symbol in the lower left is composed of Tenniel's initials, which was how he signed most of his work for the book. The partially obscured word in the lower left-center is the last name of Edward Dalziel, the engraver of the piece. (POTD)

Did you know...

Portrait of ballet master Jean-Georges Noverre

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See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction.

Selected article

Jill Valentine is a character in Resident Evil (Biohazard in Japan), a survival horror video game series created by the Japanese company Capcom. She was introduced as one of the two player characters in the original Resident Evil (1996), alongside her partner Chris Redfield, as a member of the Raccoon City Police Department's Special Tactics And Rescue Service (S.T.A.R.S.) unit. Jill and Chris fight against the Umbrella Corporation, a pharmaceutical company whose bioterrorism creates zombies and other bio-organic weapons, and later become founding members of the United Nations' Bioterrorism Security Assessment Alliance (BSAA). Jill is the protagonist of several Resident Evil games, novelizations, films, and has also appeared in other game franchises including Marvel vs. Capcom, Project X Zone, Teppen, and Dead by Daylight. In later games, such as the 2002 Resident Evil remake, The Umbrella Chronicles (2007), Resident Evil 5 (2009), and The Mercenaries 3D (2011), her features were based on Canadian model and actress Julia Voth. Several actresses have portrayed Jill, including Sienna Guillory and Hannah John-Kamen in the live-action Resident Evil films. (Full article...)

On this day...

Possible futures

Possible events in the future as suggested by science fiction:

  • Dr. Robotnik seizes control in 3224 of the planet Mobius, the name of the former planet Earth.
  • On April 27 of 2,774,020, Murcheson's Eye explodes into a supernova and becomes a black hole.

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