User:SafariScribe/When We Cease to Understand the World

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When We Cease to Understand the World
AuthorBenjamín Labatut
TranslatorAdrian Nathan West
CountryUnited States
LanguageEnglish
GenreNonfiction, Fiction, Historical fiction, Alternate history
Published2021 (New York Review of Books)
Pages192
ISBN9781681375663

When We Cease to Understand the World (Spanish: Un Verdor Terrible; lit.'A Terrible Greening'), published in 2021, is a book by the Chilean writer Benjamín Labatut. It selected certain individuals known to have sacrificed in revolutionizing science and other related humanitarian mankind while focusing on the themes of sacrifice, madness, and destruction hidden beneath the discovery of science and its development.[1] The book was a real identified fiction, and was either called a nonfiction, novel, or biographical narration.

Due to its difficulty in classification, many critics called it a novel, others a short story collection of essayistic mode.[2]

Background[edit]

Plot summary[edit]

The book ended when the "night gardener" was telling the narrator about the death of the citrus trees, which atlas yield monstrous crop. But when those fruits ripen, the trees' whole limbs breaks because of huge weight, and after a few weeks, will be covered up by the ground with rotting lemons. To him, it was very strange.

Style[edit]

In When We Cease to Understand the World, Labatut wrote with a beginning scenario of apocalypse. It was seen revolving his narration of the "Night Gardener"; wavering between different opinions of world creation and it's destruction.[2] Labatut used a precise style so that it often achieves concision, cruel and humor.[3]

Themes[edit]

Critical reception[edit]

When We Cease to Understand the World was selected by Barack Obama in 2021 for his annual Summer Reading List.[4] It was a Finalist for the Art Seidenbaum Award for First Fiction by Los Angeles Times. While Labatut said the book is a "work of fiction based on real events", John Banville of the British magazine The Guardian argued of it better called a nonfiction novel, since the majority of the characters are historical figures, and the narratives were based on historical fact.[5] Franklin Ruth of The New Yorker said it was a meditation in prose that bears a familial relationship to the work of W. G. Sebald or Olga Tokarczuk, while detailing a sequential biography of both.[6]

Corinna da Fonseca-Wollheim in The New York Times Book Review praised the book as "a gripping meditation on knowledge and hubris. [Labatut] casts the flickering light of gothic fiction on 20th-century science",[7] while John Williams in The New York Times Book Review says that When We Cease to Understand the World "fuses fact and fiction to turn the modern history of physics into a gripping narrative of obsessed scientists, world-changing discoveries, and the ultimate results—often quite dark—of our drive to understand the fundamental workings of the universe." While reviewing the book for the The Wall Street Journal, Sam Sacks praised the book as "Darkly dazzling". Furtherly asserting that Labatut illustrates "the unbreakable bond between horror and beauty. The book as haunting as it is, stubbornly insists on connecting the wonders of scientific advancement to the atrocities of history."[8]

In a starred review by Publishers Weekly, the book called Labatut’s stylish English-language debut "offers an embellished, heretical, and thoroughly engrossing account of the personalities and creative madness that gave rise to some of the 20th-century's greatest scientific discoveries."[9] Constance Grady in writing for the American news website Vox wrote, "When We Cease to Understand the World is one of the most beautiful books I’ve read all year, and one of the weirdest, too. Its subject seems to be scientific awe: the cosmic horror of seeing what lies at the center of the universe, and how very far such realities are from our small human ways of perceiving the world."[10]

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